Testimonials

Jan Constantine

Co-Chair; Chorus Member

My name is Jan Constantine. I joined MasterVoices (MV) in the fall of 2016 after attending a fantastic performance of Dido and Aeneas at New York City Center with a gentle push from Lisa Rubin, a longtime singing member and MV board member. Paula Mermelstein, my good friend and a fellow thespian from Congregation Rodeph Sholom’s community theatre productions was a new singing member of MV and reinforced my decision to join the chorus. I auditioned for Julie and Ted in the summer of 2016. I joined the awesome Alto 2 section where another friend, Sybil Pollet, welcomed me with open arms to the MV family.

In my first season with MV I performed in the opera 27 at New York City Center, then in St. John’s Passion and Babes in Toyland at Carnegie Hall where I was cast as one of the widows in Toyland with a few lines. I was totally and irrevocably hooked by MV when I first looked out from the Carnegie Hall stage at the audience and pinched myself to see if this was just a dream.

Since then, I have joined the MV Singers Council, the MV Board of Directors and in November 2022, I was elected to serve as the MV Board’s co-chair along with Juliana Chen. From the beginning of my association with MV, I have been passionate about the organization and have looked for ways to show my appreciation for all the joy and fulfillment it has provided to me these past few years.

During most of my 45-plus years as an attorney, I participated in a tax-deferred retirement plan (such as a 401 (k), or an IRA) with my various employers allowing me to postpone paying taxes on plan contributions and investment earnings. When I turned 70, my plan adviser explained to me that, according to the IRS, I would have to withdraw a required minimum distribution (RMD) each year going forward or pay a significant tax on the amount not distributed. Since then I have directed that my RMD be transferred in designated monetary amounts to charitable organizations of my choosing, so that all donations would not be treated as taxable income to me. (MasterVoices is a tax-exempt charitable organization described in section 501 (c)(3) of the Internal Revenue Code.)

Since joining the MV family, I have gifted a significant percentage of my RMD to MV. It is simple to do and the impact of the recurring gifts makes a difference to MV which has no endowment and relies on major donors, corporations and government funds to continue to provide exceptional performances ” … to bring the joy of choral singing, the art of musical storytelling, and the power of the human voice” (MV Mission statement) to an ever-expanding audience.
To sum up, thanks to the Charitable Rollover provision of the tax code, you too can rollover your tax-deferred plan contributions and earnings to MasterVoices and pay no taxes on the amount of the gift. All it takes is a phone call to your account administrator, filling out a short form designating MV as a beneficiary of your RMD and indicating a specific dollar amount or a percentage of the RMD as the amount of the gift or donation. You need only sign and return the form to your administrator who will then send your gift directly to MasterVoices with an acknowledgement that it comes from you. You, as the donor, will not have to pay any taxes if your RMD was completely “rolled-over” to MasterVoices or other charitable organizations. More importantly, you will be helping to support MasterVoices and enable Ted to bring artistic excellence to a broader audience and joy and fulfilment to other generations of singers long into the future.

Adèle Talty

Board Member; Chorus Member

My name is Adele Talty and I have left a gift to MasterVoices in my will because I am proud. I am proud of the amazing productions this organization has shared with the world from its 1941 inception under the baton of the infamous Robert Shaw …. to its 2021 Drama League Award Nomination for Myths & Hymns. I am proud of its collaborations with world-recognized talent spanning across so many mediums: orchestra (Arturo Toscanini, Leonard Bernstein … ), opera
(Renee Fleming, Luciano Pavarotti … ), musical theater (Kelli O’Hara, Bryce Pinkham … ) and acting (Jane Fonda, Roger Rees … ). What is not to be proud of?

When I first joined MasterVoices as a Soprano over 30 years ago when it was called Collegiate Chorale, it felt like coming home after not having sung in several years. It felt euphoric to be singing again, harmonizing with this newly found community. Since that very first day, it has been a constant in my life through so many personal changes (different jobs, a marriage, raising 4 children, a move out of NYC…a move back in), as well as global challenges (9/11, the COVID pandemic). Through it all MasterVoices has enriched my life beyond measure. But that enrichment does not come without a price. Serving on its Board has given me insight into just how financially challenging it is for MasterVoices to produce its work from start to finish. Fundraising in a world where there are many worthy charitable organizations is not an easy task and that is why I find it important to include MasterVoices in my estate planning. To something that has given me such joy and creative sustenance over the years, I feel a certain grateful indebtedness to make sure its legacy continues beyond my lifespan. My gift will help ensure that MasterVoices continues to bring joy to others, both inside and outside, the organization. And THIS I will be proud of, too.

Ricki Nenner

Board Member

I joined the Board of MasterVoices in 2005. Bob Bass was the Artistic Director and our name then was The Collegiate Chorale. Susan Baker and Bob both interviewed me as a prospective board member. Things went well but there was something I wanted to state before we concluded the meeting. I remember my words very clearly:

“If you’re looking for a board member who simply writes a check, I’m not that person. If there are opportunities for me to make a substantive contribution to the workings and aspirations of the Chorale, I’d be happy to join.”

Over the succeeding eighteen years, I have had the pleasure and satisfaction of overseeing the redesign of our website several years ago, chairing our marketing committee early on, and took on our recruiting efforts. Not everything I touched turned to gold, but I was never bored. I was challenged, I learned a lot about a lot of things, and was able to put my McKinsey problem-solving skills to work. And I met, worked with, and became fast friends with some extraordinary people.

Now I feel it is give-back time. I’ve reached a stage in my life where I have begun to “put things in order.” Part of this “ordering” is to make sure that those institutions and organizations that mean the most to me continue to flourish. MasterVoices is high on this list. It is enjoying a singular artistic and organizational resurgence that I want to champion and advance in my absence. My attorney has suggested that the best way for me to do that is to include the distribution of a cash sum to MasterVoices in my estate plan, which I have done.

Sybil Pollet

Chorus Member

For as long as I can remember (well, thirty-two years, to be exact), Monday nights have been sacrosanct, reserved for rehearsals–first, with The Collegiate Chorale, and then, with MasterVoices.  No tickets or trips have ever superseded that entry on my calendar. Old habits die hard, as the saying goes.

When the final bell tolls, who knows?  Maybe on Monday nights, my singing spirit will be hovering over the Alto II section.  So, I had better reserve a place, make sure the music fees are covered, meet my ticket minimums, and pay it all forward, in advance.

My executors have strict orders!

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